Perhaps one of the greatest representations of the inevitability of death and change in modern poetry is Dylan Thomas' "The Force That Through The Green Fuse..." In this mythic poem Thomas reveals to us the nature of living a life burdened by the constraints of time.
THE FORCE THAT THROUGH THE GREEN FUSE DRIVES THE FLOWER
The force that through the green fuse drives the flower Drives my green age;that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever.
The force that through the green fuse drives the flower Drives my green age;that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever.
The force that drives the water through the rocks Drives my red blood; that dries the mouthing streams Turns mine to wax. And I am dumb to mouth unto my veins How at the mountain spring the same mouth sucks.
The hand that whirls the water in the pool Stirs the quicksand; that ropes the blowing wind Hauls my shroud sail. And I am dumb to tell the hanging man How of my clay is made the hangman's lime.
The lips of time leech to the fountain head; Love drips and gathers, but the fallen blood Shall calm her sores. And I am dumb to tell a weather's wind How time has ticked a heaven round the stars.
And I am dumb to tell the lover's tomb How at my sheet goes the same crooked worm.
The poem seems to be informed at once by scientific and spiritual tendencies. These two influences which are often at odds in the real world seem to be blended perfectly here to create a rich display of insight and meaning. Clearly Thomas understands implicitly that science, which aptly explicates the observable and material world, falls short in bridging the gap to the timeless and and ineffable elements of the human experience.
The image of the "green fuse" invoked in the first line reflects a seamless blend of the natural and technological, while also reflecting the imposition of mans influence on the natural world through the crafted fuse. The Green fuse itself in Thomas' poem is merely a vessel for that universal power which underlies everything. The power which science has yet to define and observe but has been understood for thousands of years by mystics and sages.
In the first stanza Thomas begins to point towards mans inability to grasp the vast interconnectedness of all living things. He on the one hand explains how the "force" "drives the flower" and at the same time "blasts the roots of trees". This power is at once a preserving force of new life and in the same instant an agent of death and decay. The speaker of the poem also indicates that his "youth is bent by the same wintry fever"; that he shares the same plight as trees and flowers and must submit in the end to death and decay.
This same idea is repeated and reinforced through varied examples over the next two stanzas and then in the fourth stanza he introduces time and love. "The lips of time leech to the fountain head" drawing off the power that drives all life. Essentially time is acting as a limiting factor here, diminishing the potential for everlasting life. Because of time we must, like all things, have an end. But love seems to be a great savior of the human condition here. As "Love drips and gathers" it grows in power and "the fallen blood shall calm her sores" acting as a salve to mend the pain and injury that is implicit in the decay and death which are sure to come to all of us. Meanwhile "time has ticked a heaven round the stars" and the cycle goes on and on without any end in sight. Finally he is bound in an endless chain of birth, life and death that continues unceasingly.
The last stanza binds the plight of the lover with that of the speaker. He is stunted by the magnitude of this ineffable power and it unceasing reign over life and death throughout the ages.
So what of all this? What is particularly mythic about the poem or the processes it describes? My next post will try to make the connection between life, death and time.

